For your example, if both lists are small enough, the constant factor on the cost of creating the hashmap eliminates any advantage you could have. Anyway, it's not like most places were I've seen a nested loop used for search the developer had cared. Today I am in a bad mood.
I have to touch some of the most unnerving modules in a legacy project and everything is a trap. Lot's of similar repeated code with ugly patterns and some big brain trying to hide the ugliness with layers and layers of indirections and inheritance, and calling it clean because there is a factory class. The biggest joke? each implementation have a different interface for key methods, so later you to check what instance got created.
I want to keel myself. Anyone could assist me in a seppuku?
Don't kill yourself. Stop and leave. Every day you will build up a tiny bit more resentment and then first you will become more cynical but eventually you will burn out. Be proactive and leave this behind, move on with life.
Alternatively, you can choose a proven source of white noise.
Such as the reverse-bias shot and/or avalanche noise at the pn junction of a reverse bias'ed Zener Diode. Which is white-noise into the hundreds-of-MHz. Maybe not good enough for RDSEED, but certainly good enough and fast-enough for most hobbyist projects who are experimenting with this for the first time.
Netflix and to some level spotify drowned piracy for a time. But then a lot of companies tried to rap the same "winings" splitting the ecosystem and trashing the user experience.
- ¿could we watch x movie?
- let me see. no, it in this other service beside the 3 we are paying.
In the beginning, Netflix was great. Then they became a media company and suddenly EVERYTHING they push on you is THEIR stuff. Gone are the days where you could remember a cool movie and pull it up on Netflix like Fandango or Corvette Summer. I remember going back and watching several seasons of the original Miami Vice back when nobody knew who Michael Mann was.
Not its exactly as you say, you want to watch something but its not on any of the streaming services you're already paying for. I've started to just think of a movie I want to watch, go out to Pirate Bay, download it and then stream it. When I'm done? Delete it.
Its good to know I'm not the only one who has gone back to downloading movies.
My understanding is that this isn't Netflix's fault. They were king when they were the first major streaming service, and studios and networks were happy to get extra income from hosting their content on Netflix. But Netflix knew that any success it has would be mimicked by those same studios and networks, and that they would pull their own content to their own services as soon as they have them up and running, and so Netflix started making its own content in preparation for that day. And that bet paid off.
If the production quality of Netflix was close to HBO it would be nice. HBO has some absolute classics: The Wire, The Sopranos, GoT, White Lotus, The Last of Us, Alaskan Killer Bigfoot. Almost all bangers.
I'd argue Netflix productions started out almost as great as HBO, but quickly took a dive when they started pushing quantity over quality. Now finding a quality Netflix production is about once a year. Maybe that's the same rate as it use to be?
I agree that the quality went down, but I think it might be part of their strategy.
I think when they first started, they tried the HBO strategy of putting big money into big shows that try to win over broad audiences. But over time shifted to focusing on low budget shows that appeal to specific, smaller audiences. Which makes sense, if your goal isn't to have 70% of the total market as paying users but rather 90% of the market as paying users.
The problem is the bean counters running Netflix didn't want to pay the cast and crew their due, so their shows ended before the cast and crew could unionize, specifically so they couldn't unionize, leaving Netflix with no HBO-grade shows. Pennywise, pound foolish.
This is the way. As the studios decided they could make more money by becoming a streamer than they'd ever make with licensing deals with Netflix, they quit making those deals. As the deals would expire, Netflix would start removing them.
I always thought Netflix probably could have made licensing deals on their CDN. Lots of early streamers had issues (still have) with their CDN. Then again, the studios would probably want a clean break because they are so good about every thing they do (yes, that's sarcasm).
At some point I'm willing to just pay a few dollars for a movie. But even then you cant get them all in one place! And they like to charge a premium for some. Im not paying a premium for anything I've already seen a while back.
> Im not paying a premium for anything I've already seen a while back.
devil's advocate. what's the point of a producer expending money to have a premium version made? it takes money to go back and rescan film to higher resolution, and the rest of the work flow involved to create that new final version.
sure, it's easy to not have sympathy for hollywood producer types, but to meet modern standards for legacy content takes time/effort/money. of course they are going to want to get a bit of that back.
But this is the insane bit - there is clearly a market for this. People do want to watch old stuff in new formats, and they're prepared to pay a reasonable amount for it. There is a perfectly reasonable business model in here.
How sure of that perfectly reasonable model are you? Are you willing to find a movie that you think this would be a solid bet, contact the content owner with the money to finance the necessary steps to get the content streaming platform ready? Would you put your money where your mouth is on this?
Edit to add more food for thought. Let's take a non-premium feature film as an example. Let's assume that the title you've chosen has a decent copy of the 35mm film available. To have it scanned at 4K is going to be the first expense. You then have to decide if you're going to clean any of it up with and post production. Color correction will be necessary as well. Something else to consider is do you have any the clips with text on them have and are textless clips available. How much will it cost to get a textless version. You will need to see what audio is available. Hoepfully something other than mag. Do you have just the final mix? Is it stereo/mono? Does it need to be remastered to deal with expired music rights? Do you have elements to do a new mix? Do you have any subtitles available for it? Captioning? Those cost to have made too. Do you have rights for the international versions, and is that content available? Does your streaming platform really want the dubbed audio available? Subtitles for that too please.
Well this is how the "unofficial" streaming services make money, basically.
They don't have the production costs, obviously, so there are some numbers to crunch there. And I don't have answers to any of your questions, because I am not in the industry. I suspect these are a whole bunch of trade-offs, as in most technical questions, and there is a version of these trade-offs that are economically viable.
But people are willing to pay to view stuff, and willing to take risks to view stuff. There is a market there, there's money there. We know this because there are people making money on this.
I am in the industry, and I'm giving you a simplified formula which answers why more titles are not available. You just don't want to accept the reality of it from the content owner's perspective and only see if from the "I deserve to see anything I want anytime I want" perspective.
I counter that I can go and see anything I want, if I'm prepared to accept a bit of risk and some morally dubious justifications.
The reality that the content owners face is that there are people making money off their work because they're not giving the paying customer what they want, and those other people are. That's a viable business that they're not profiting from. That's the reality. I'm not sure why it's not visible from the content owner's perspective.
I don't care about that. By premium I just mean a popular movie. Sometimes all the Clint Eastwood films are free for example, but one or two big titles are $9.
Give me $2 or $3 movies with a huge catalog and I'll watch several.
Even for these $2-$3 dollar non-premium movies to be digitized and made available for streaming costs money. Let's just say at a minimum $50k (which is on the low end), 50,000/3 = 16,667 people willing to rent/buy that movie for that $3. Is that a guarantee? No, especially when it is not "premium". Out of curiosity, how many movies do you rent/buy through Apple/Amazon type rentals? There are many times where the math of renting from a platform is much cheaper than going to the movie to see it. It is still hard for me to do it since I'm already paying Apple/Amazon a monthly fee. That's for the "premium" content, so it would be hard to convince me that 16k people would be willing to spend for non-premium at all.
Netflix also often only buys the first seasons of an existing show. And of course they love to cancel shows they produce themselves which for me has significantly lowered my loyalty over the years.
The cost is in the context switching. Throw 3 tasks that came 15, 20 and 30 min later. The first is mostly ok, you finish by hand. The second have some problems, ask for a rework. Then came the other and, while ok, is have some design problems. Ask another rework. Comes back the second one, and you have to remember the original task and what things you asked for change.
The only "real" thing I've done with ruby, many, many years ago.
A little script to extract the functions definitions from a FORTRAN project.
The idea was to add more data. Later I learned about ctags and never added another feature.
I'm sure there is a copy in an external ssd I lost 2 summers ago.
I have to touch some of the most unnerving modules in a legacy project and everything is a trap. Lot's of similar repeated code with ugly patterns and some big brain trying to hide the ugliness with layers and layers of indirections and inheritance, and calling it clean because there is a factory class. The biggest joke? each implementation have a different interface for key methods, so later you to check what instance got created.
I want to keel myself. Anyone could assist me in a seppuku?
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