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"Anonymity on social media has brought a lot of problems and I'm not sure what the benefits are"

Anonymity is a shield against public lynching for communities that are targeted by hate groups such as LGBTQ+ (one example, there are plenty).


But that is happening today with anonymity, but then we have all the negative stuff too.

> But that is happening today with anonymity

It would happen a lot more often without anonymity.


No it wouldn't. Accounts would be identified right so you would know that some account is a China bot farm or Russian military or whatever. And then when Jane down the street starts talking about the need to kill "insert group here" well you know who they are and you can go down and have a talking to them or tell their employer, or whatever. If you say crazy stuff maybe there should be repercussions. Today there are none. It has a moderating effect when there are consequences.

> And then when Jane down the street starts talking about the need to kill "insert group here" well you know who they are and you can go down and have a talking to them or tell their employer, or whatever.

This works the other way too. You tell others online "hey maybe we should stop killing X people" or maybe expose that X people are being killed without the public knowing and the people in favor of killing X people can and will ruin your life.

We in fact saw more of this happening in the past few years than the opposite.


That's just the messy fundamentals of democracy. I think it comes down to perception of what the threat is. I think groups like white nationalists, Antifa, pro-Hamas, pro-Russia, &c. are a much greater threat now than the potential downside of supposedly silencing people who "speak up".

How valuable is speaking up anyway? It's all good to argue when you see the positive case or the one you agree with, but do you also give sympathy to folks who are "speaking up" about white replacement theory or "speaking up" about avoiding COVID-19 vaccines, or other such nonsense?


I’ve always wanted to get one of these working, but they’re rare, and heavy! That makes shipping expensive.


Agreed 100%. It all comes down to the artists intentions, and plotters have many limitations. My hope for this article was to expose people to other options.

Great portfolio of art btw, thanks for sharing!


You're correct, there are some more sophisticated processes used by specialty printers such as CcMmYK (https://en.wikipedia.org/wiki/CcMmYK_color_model). Something like this will use more inks and less halftones, giving better results in some cases.

Or are you referring to other printing methods, say for example silk screening? There, you would definitely select a specific ink to use. It just depends on what your goals are.


Or they could be referring to Spot Color.


One of my favorites is spot gloss.


I am a fountain pen convert myself, and use them almost exclusively these days for my algorithmic plotter art. This website is a fantastic resource that I’ve referred to countless times.

I’ve even written my take on why they’re such great devices for machine art: https://lostpixels.io/writings/fountain-pens-plotters


I see you were bit by the Iroshizuku bug


I too have gone with fountain pens as my every day pen. There's zero waste with a bottle of ink and a cartridge. I find that the variety of inks to be superior too.


True! I specifically use Noodler's Bernanke Black ink because it's fast-drying. I'm left-handed, and I can easily smear ink as I write if it doesn't dry quickly. Left-to-right writing definitely favors right-handed people.


Oh, good grief, in that case you might want to start with a Pilot medium (roughly equivalent to a German no. 5 'fine') and work down from there. Without wishing to invite contumely on the sometimes extremely fractious topic that can be Noodler's inks, I will say my experience is that all the feed and nib throughput you can possibly give them will never really be too much, especially in Japanese pens.


Zed for example will start crawling your home directory and all children if you don’t have a project open. Documents, downloads, etc all uploaded.


Source?


As an artist the frustrating thing is I was never asked about whether two decades of my work could be used by for-profit companies to create tools that make my market harder.


That’s not cheating according to the definitions within this article that you’ve commented on.

Procreate is against gen AI on the grounded that it was unethically trained, and has become a vehicle of theft away from artists. They make a distinction between that and machine learning which is a very useful tools.


The AI-Assist tools (Cursor, Windsurf, Claude Code, etc) want you to be "all-in" and that's why so many people end up fighting them. A delicate balance is hard to achieve when you're discarding 80% of the suggestions for 20% of the productivity boosts.


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